My Photo
Blog powered by TypePad

Network Society

Mapping mash-ups + digital music = happy Aram

Nindownloadsus_2 I love it when rock stars are bigger nerds than me (had dinner with Todd Rundgren once, and all he wanted was to talk about how cool his Mac was).

Trent Reznor from Nine Inch Nails has now risen even higher in my nerdesteem. A month and a half after offering their latest album, The Slip, as a free download on their site (following on the heels of another very successful free download release this spring), the band has created a Google Earth KML file (basically, a link to a spot in GE), showing the volume of downloads from every region on the globe. Pictured above: North America.

Not only is this a fabulously cool thing to do just for the sake of it, but it also provides us with an interesting chunk of data. Apparently, NIN did far more downloads on the coasts than in Middle America, for instance. Maybe this is due to digital divide issues, or maybe industrial music plays better in industrial environments, or maybe it's just plain population density. Who knows? The point is, hooray for NIN. I should have teased my high school girlfriend less for liking them...

Military map mash-up

FaaThe FAA has created a Google Map mash-up site listing the location of every single military installation in the USA. What a nice favor to, uh, law abiding airline pilots terrorist splinter cells and crazy white power militias.

Still, it's a pretty good mash-up. Check out SeeAndAvoid.org to play with it.

Seen on my pal Noah's Danger Room blog.

Panic! at the Internets

My friend Alice just published a great article in FirstMonday (an online peer-reviewed academic journal) about the persistence of moral panic over the sexual vulnerability of kids and teens online -- from the great cyberporn panic of 1996 to the tizzy in a teapot over MySpace predators today.

The article's especially timely, given the recent news that Verizon, Sprint and TWC will now be monitoring the bits they carry, and blocking users' access to newsgroups that have been identified as child porn destinations.

Now, I'm against child pornography in all forms, but I hardly think an ineffective witch hunt (honestly, how many microseconds will it take for the pervs to create a viable workaround?) is sufficient justification to destroy the legislatively-enforced protection that ISPs have against culpability for the actions of their users, and to further erode what little privacy we have left in this country.

What's next -- the telcos being held responsible for monitoring the content of our private phone conversations? Oh, wait a second...

From Alice's article:

Thus, I conclude that the furor over MySpace is disproportionate to the amount of harm produced by the site. Indeed, the furor over online predators seems also to be disproportionate. Rather than focusing on nebulous “predators,” it seems that parents, teachers, and social workers should emphasize identifying and preventing abuse in specific, local community settings.

Word to the mothaf*cka, Alice!

lolz vs. lulz: regionalism in emergent online culture

Instead of grading papers, I've been procrastinating some more at my favorite time-suck site, Google Trends.

As usual, a little casual searching turned up something interesting: "global village" rhetoric aside, there seems to be some regionalism in the growth of emerging online subcultures. Specifically, I searched for variant spellings related to the "lulz" phenomenon.

Turns out that the more popular "lulz" spelling variant holds exclusive dominance in the Midwest, Southeast and Northwest states such as Michigan, Washington and Georgia. The "lolz" variant has more traction in the Northeast and rural/suburban California, gaining parity with "lulz" in New York City (w00t!). Strangely, urban California is just as lulz-centric as the Midwest and Southeast.

Not sure what this means. Broadly, of course, spelling variants are kind of a marker for information flows; people who game, chat and email with each other, and who read and watch and play the same mass media, are more likely to adopt similar spelling habits for an emerging lexicon.

It might be interesting to correlate these trends with other, macrosocial trends (voting habits? eating habits?)

Snapz_pro_xscreensnapz001_2Snapz_pro_xscreensnapz002

Inflation in the marketplace of ideas

Back in the dot-com days, we guru types used to roll out our favorite chestnut when we wanted to impress people, or to propose "radical" new business models: "consumer data is the currency of the Internet." But we never could have predicted how true this would be, what with the rise of social network marketing, psychographic and behavioral targeting, and widespread government surveillance.

Of course, this idea of information-as-currency hardly originated with us; it's central to a range of social theory by academic gurus like Daniel Bell and Manuel Castells, predicated on the notion that we are now living in an "information society" peopled by "knowledge workers."

Which leads me to my little thought of the morning (bear in mind I haven't had my tea yet): that just as global flows of capital and labor have helped to devalue our economic currency by putting our industry in a vastly larger and more competitive environment, global flows of information have helped to devalue our information currency.

Obviously, as I and others have discussed ad nauseum over the past decade, this applies to information-based commercial goods like music, video, news and such. However, I think it may also apply to other forms of information whose value has not traditionally been measured directly in economic terms.

For instance, a mere signature used to be enough to serve as a guarantee of our identity in legal, regulatory and contractual contexts. Now we are increasingly required to present multiple forms of photo ID, supply passwords, and even volunteer biometric information in order to complete transactions, cash a check, enter a building, or what have you. Traditionally, this "inflation" in the currency of personal information has been treated as a byproduct of the age-old cat-and-mouse game between information security (encryption) and information liberty (decryption). However, this doesn't preclude or conflict with another interpretation: our signatures have simply become a less valuable form of information currency as they have gotten more widely accessible. Today, even our social security numbers have become commoditized (they cost about $2 apiece online, according to a fairly recent NYT article).

Another potential effect of information inflation is the devaluation of ideas themselves. If profitable business, thriving culture, and even success in achieving the quotidian goals of our everyday lives are based on our ability to innovate, and on the strength of our ideas relative to other ideas, then the globalization of the conceptual economy certainly threatens to devalue our ideas, and thereby to undermine our potential success in business, culture, and quotidian achievements.

Of course, I'd be remiss not to invoke Jefferson's oft-quoted adage that "He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me." This premise -- that information, unlike other forms of capital, is non-rivalrous, non-excludable, and therefore increases rather than decreases in value with proliferation -- has been central to my work, and to many others', for some time.

This Jeffersonian framework for evaluating information is true when  we are discussing culture as a whole -- which certainly benefits from the "free flow of ideas" and the proliferation of cultural expression. Much as Metcalfe observed of all networks, the power and robustness of a cultural network grows exponentially as the number of expressive forms and practices comprising that network grows incrementally.

However, when ideas are in competition with one another -- as they must be for the Jeffersonian or Holmesian concept of the "marketplace of ideas" to function -- then the value of ideas-as-currency is derived from their relative strength, rather than their intrinsic qualities. Put in other terms, if you create a better mousetrap than I do, society overall will have fewer mice to deal with, but you'll end up with more food than I will.

Of course, there's nothing to stop me from taking your idea for a mousetrap, and adopting or even improving upon it myself. Hurray, everybody wins.

But wait -- not so fast. Technological and social latencies -- as well as ruinous IP laws (a/k/a institutionally enforced information latencies) -- invariably slow down the flow of ideas and the adoption of innovations (you might say the "free flow" is a myth -- always to be striven for, but never achieved), and therefore society becomes inevitably divided between information "haves" (those with better mousetraps) and information "have-nots" (those with worse mousetraps). And in some situations, such as a winner-take-all game (last one with a mouse loses), the speed of transmission is irrelevant, because only through the act of innovation (rather than the adoption of innovation) can an individual successfully achieve his or her goals.

Hence, the inflationary value of ideas. The wider and more fluid our information network, the more successfully and consistently we must innovate in order to prevent becoming information have-nots, or losing winner-take-all social dynamics. Today, we're already witnessing a kind of idea-hoarding that evokes images of Weimar-era Germans toting around wheelbarrows full of cash.

Before writing this post, I probably should have read the new Gladwell article on innovation and economics (it's been sitting on my night table for a few days). But I've got my own information latencies -- dozens of papers to grade, and only so many hours during which my son's in preschool. I'll take a look at it today, and check back in if I've got anything to add or amend.

UPDATE: The Gladwell article is great -- it punctures the myth of scientific genius by examining the ways in which ideas "in the air" occur to multiple innovators simultaneously -- e.g. Newton and Leibniz with calculus (strangely, no mention of Plato's contribution to the "in the air" premise). Unfortunately, he reserves the genius myth for the arts -- a claim I vehemently disagree with. However, other than describing the goings on at meetings of Myhrvold's idea-hoarding Intellectual Ventures (which sound like a lot of fun), the article doesn't have too much relevance to the question of information inflation.

UPDATE 2: Found this article from last year by Paul & Baron on a phenomenon they call "information inflation" -- however, their article refers to the sudden exponential growth in the volume of written information, and suggests the legal challenges associated with it. By contrast, I am using the term to discuss the devaluation of information, analogous to other forms of currency.

The man who would have been president

Gore_200 Al Gore was interviewed on NPR's Fresh Air yesterday. I have to say, even 8 years after the Great Debacle, I'm still weeping. Somewhere less than a Planck's-length away, there's a parallel universe where he's been in office for two terms, and I'll bet everyone there is having a much better time.

At any rate, I thought it was interesting that, apropros of a question regarding environmental policy and the climate crisis, Gore invoked Internet regulatory policy (such as 'net neutrality and open standards, though he didn't use the terms) as fundamental to the democratic process, and therefore as imperative tools in combating the global crisis. Wish I had a direct quote, but NPR doesn't post transcripts for some reason.

I know, it's wonky, but you've got to love a guy who can see effective communications policy as a vital element of human survival. Also, just for the record, he was warm, thoughtful and well-spoken. When he slipped into a Southern-y drawl while discussing his dad, it seemed like a genuinely unconscious shift, not the kind of hamfisted put-on we're used to. I dunno, maybe it's for the best he's been able to speak honestly from the sidelines, rather than being shackled to a party line in the White House.

Well worth a listen. Here's the link.

Click "forward" to show the world you're a n00b

One of the nice things about having worked in the media/tech industry for so long is that I know a lot of interesting people who have done a lot of interesting things. One of the interesting things I often do with these interesting people is get together and bemoan the fact that the whole world isn't as "media literate" as we are, and discuss ways in which we can remedy the problem/exploit the remedy.

Therefore, it's been absolutely incredible to me what a large percentage of my Facebook friends who rank among the media- and techno-elite (including CEOs, heads of major trade organizations, tech gurus for international conglomerates, etc.) fall for stupid gags, especially the funwall rich media messages that say "Click Forward to See What Happen" [sic] or some variant thereof. Many of these folks are 40+, making me wonder whether subtle generational digital divides persist despite professional expertise.

Just for the record, guys:

NOTHING HAPPENS WHEN YOU CLICK FORWARD!

There, I've said it. Now stop forwarding me all that crap. You're only polluting an otherwise surprisingly functional communications platform.

Last in the Union, first to Web 2.0

Banner52_2 My friend Arnie, with the assistance of the state of Hawaii, just launched two sites pegged to the fiftieth state's 50th anniversary: a general-purpose site called StatehoodHawaii.org, and a Web 2.0 social-networky site called fifdififdi.com (think phonetically).

The sites are pretty cool. Lots of archival photo/video (much of it licensed under Creative Commons 3.0), plus tons of Web 2.0 features -- geotagging, social networking, blogs and so forth. Nice work, man. Wish I was Hawaiian.

Indian Thriller: Hooray for hybridization!

Biella sent me this link today -- a Bollywood appropriation of the Michael Jackson song/video Thriller. I don't know what's better -- the musical reinterpretation, or the choreographic one.

It's really interesting to me how Thriller has become such an important meme in networked culture. Its original release marked a defining moment in the transition of musical culture, from audio-only transmission (back) to a visual medium -- and therefore was an excellent agent of globalization. And the minor media nostalgia surrounding the 25th anniversary of its release no doubt has some impact on its current reemergence as well.

But I think there's got to be something more to it -- one could write an entire library on Michael Jackson's role as first the symbol of America's dream of post-civil rights raciocultural integration, and then as the symbol of our ugly awakening from that dream. Actually, I think David O. Russell said it best in Three Kings, which I'll post below, just for good measure.

Music software I want to develop: "Algo-rhythmic" evolutionary composition

I've got an idea for a piece of music software, and I'd love to collaborate with an interested programmer (my inability to code has long been one of my greatest Achilles' heels).

The basic pitch is: random mutations in musical information are voted on collectively by thousands of Internet users, and those that benefit the music are kept, while those that hurt it are abandoned. In essence, each composition "evolves" within the ecology of the taste-universe comprised by listeners.

Here's the basic mechanism:

- Visitors to a web site are played a short clip of audio, and they rank how "beautiful" or "funky" (or any other qualitative assessment) that audio clip is, along a Likert scale (e.g. 1-7).

- The software aggregates a "beauty" or "funkiness" quotient for that given clip, based on a predetermined n number of scores.

- The software then mutates the audio clip, within a range of pre-set parameters (e.g. changing or reordering the pitches or drum samples).

- A new score is established for the mutated clip. If it's higher, the mutation is retained. If it's lower, the mutation is abandoned.

- Either way, another random mutation is applied, and the process repeats algorithmically, until such a time as the experimenters/composers deem the process over, or until the software meets some predetermined definition of immutability or some predetermined average score.

Obviously, there are a lot of potential questions here. What kind of seeds do we begin with? How many parameters will be varied, and by what amounts? What mechanism will establish the right number of user inputs per score? Etc.

I'm really curious to see what would happen. Would each composition evolve differently, or would taste-patterns emerge? How would minor changes in operating instructions emerge into major changes in the net product? Would it be possible to reproduce known styles, and if so, what would the constituent algorithms tell us about the industrial or productive processes underpinning those styles? As people who know me or my work no doubt remember, I basically think of the music industry as a highly stylized algorithm in the first place...

I'm serious. If you're interested in working on this (or funding this), contact me.